Contents
LESSON 27 -- BINDING COMMITMENT
 

Set me as a seal upon your heart, as a seal upon your hand
For love is strong as death, ardour is intense as the grave
Its flashes are flashes of fire, a flame of God.
Many waters cannot quench love, neither can floods drown it
If a man offered for love all the wealth of his house
it would be utterly scorned.

Song of Songs 8:6-7

How important is your creativity to you? The relationship between the girl and the lover is not some cheap dalliance, and one version has the girl saying: Seal me in your heart with permanent betrothal.

The seal on the hand may also imply a wedding ring, an outward symbol of an inward commitment. Professional creative excellence, a la Einstein, Mozart and Beethoven, evidently requires the total commitment of a marriage.

The Commitment of Marriage
We saw in the very first verses of the "Song" that our creative partnership is typified by the traditional marriage, and it is significant that Roland Murphy comments that these verses constitute the "climatic point in the Song . . . the desire of the lovers for abiding union." The lesson, I believe, is that we must make a serious, binding, marital commitment to our creative subconscious mind.

Odd as this notion of a creative betrothal may sound, I was interested recently to find an ad for a book by Jan Phillips, who has apparently discovered this very principle, entitled "Marry Your Muse — Making a Lasting Commitment to Your Creativity".

Compatibility
In a successful marriage, the partners learn more about each other and establish patterns of compatible living and working – but in un-successful marriages, one or both may be too habit-bound and inflexible, and unwilling to learn and adapt.
The implication for our creative partnership would seem to be that by making a lasting, persevering commitment, we will become more adept at applying the principles Solomon identifies, and our creative capability will gradually grow accordingly.

Professional Daily Commitment
The fact that we can enter into such a on-going and creative relationship is evidenced by the prolific output of many of the great creators. It would seem to be no accident that, generally speaking, the author who writes one book often writes several, the composer who writes one piece of music often writes dozens, and the businessman who conceives of one money-making scheme is able to dream up many more.

Total Commitment
In “The Core of True Genius”, Edward Matchett stresses the creative person’s responsibility and willingness to carry a project to completion, even if it requires several years. Such total commitment to creative duty, typified by that of a mother to the child she is carrying, is illustrated by biographical insights such as these:

An Artist
"Matisse was confined to his bed for three quarters of the day but that did not dampen his enthusiasm for the project. He had paper fixed to the ceiling over his bed, and at night, since he did not sleep much, he would draw on it with a piece of charcoal attached to the end of a long bamboo stick, sketching out the portrait of St. Dominic and other elements of the decoration." (Francois Gilot in “Life With Picasso”)

An Inventor
"A short length of thread bent in the form of a hairpin was laid in a nickel mould, securely clamped, and placed in a muffle furnace, where it remained for five hours . . . The mould was then opened and the carbonised thread carefully taken out, when it instantly broke . . . Thus commenced the battle for a perfect [electric lamp] filament.
At last they succeeded in taking from the mould one perfect, unbroken filament, but when they attempted to attach it to the conducting wire it parted again. It was not until the night of the third day . . . during which no sleep or rest had been taken . . . that success came to them and the filament was placed in the lamp, the air exhausted, and current turned on. A beautiful soft light met their eyes, and they knew that the secret of the incandescent electric lamp was solved." (Francis Jones — “Thomas Alva Edison, an Intimate Record”)

A Writer
"Back in New York, he wove those rhymes into a children’s book ‘And to Think That I Saw It on Mulberry Street’ . . . Twenty publishers rejected his manuscript. They said the story was silly, the rhymes nonsensical. Finally, in 1937 an editor agreed to take a chance, and Dr Seuss, the children’s author was born" ( Peter Bernstein, writing in Readers Digest).